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26 kwi 2020 · This document categorizes and classifies Philippine folk dances. It discusses how these dances are categorized based on their geographical origin, nature, and characteristics. The dances are divided into national/local dances, occupational/religious/comic/game/wedding/courtship/festival/war dances based on their nature.
The classifications of Philippine folk dances encompass a diverse range of expressions, each with its unique stories, movements, and significance. From agricultural rituals to courtship traditions, these dances serve as living testaments to the Philippines’ rich cultural heritage, bridging the past with the present and ensuring their legacy ...
This document provides a classification of Philippine folk dances. It divides them into categories based on geographical origin (national, local), nature (occupational, religious, comic, etc.), movements (active, moderate, slow), formation (square, long, set), and more special classifications like dances with songs or implements.
This document categorizes and classifies Philippine folk dances. It discusses how Francisca Reyes Aquino collected and documented these dances starting in 1924. The dances are divided into non-Christian/ethnic dances and Christian dances.
Learn about the development and diversity of Philippine folk dance from pre-colonial to American period. Explore the ethnic, western influenced, and rural dances with examples and videos.
Let’s delve into the main categories of Philippine folk dance, each telling a story of its own. 1. Maria Clara Suite Dances. Named after the iconic character in Jose Rizal’s novel “Noli Me Tangere,” the Maria Clara suite dances embody the elegance and grace of the Filipino woman during the Spanish colonial era.
25 lut 2024 · The major classifications of Philippine folk dances are described, such as Cordillera dances from northern Luzon, dances with Spanish influences, Muslim dances of Mindanao, and rural dances that depict daily life. Common folk dances like Tinikling and Singkil are explained.
