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  1. Analysis of Monet's Paintings of Water Lilies at Giverny The Impressionist paintings of water lilies (nymphéas) created by Claude Monet during the last thirty years of his life, are often considered by art critics to represent his finest work.

  2. www.socratic-method.com › art-design › the-meaning-of-water-lilies-by-claude-monetThe meaning of 'Water Lilies' by Claude Monet

    31 sty 2024 · Beyond its representation of nature's beauty, Water Lilies can be seen as a reflection of Monet's inner emotional journey. As an artist plagued by personal tragedies and health issues during the years he worked on this series, Monet turned to his art as a source of solace and healing.

  3. 7 mar 2023 · Water Lilies by Claude Monet Analysis: A Brief Compositional Overview. Before Monet started painting the water lily ponds in his garden at Giverny, he painted lots of water scenes – experimenting with the changing effect of sunlight reflecting on the water.

  4. 29 cze 2022 · Claude Monets Water Lilies (1926) Paintings in Context. Claude Monet was not an overnight sensation and was only considered an esteemed artist in his later years. However, in the modern day, his paintings continue to increase in value. Among these are his famous water lily paintings.

  5. Claude Monet, Les Nymphéas (The Water Lilies), suite of paintings on permanent exhibition at the Musée de l’Orangerie in Paris. Room 1: Morning, oil on two canvas panels, 200 x 425 cm, c. 1918-26 Clouds, oil on three canvas panels, 200 x 1275 cm, c. 1918-26 Green Highlights, oil on two canvas panels, 200 x 850 cm, c. 1918-26 Sunset, oil on ...

  6. 9 lut 2021 · In fact, when Monet painted Water Lilies, the price of French ultramarine oil paint was about half that of cobalt blue, which Monet also used in this work. By combining French ultramarine and cobalt blue with other colors in his palette, Monet achieved a wide range of blue-toned shades.

  7. Claude Monet, Les Nymphéas (The Water Lilies) by Dr. Beth Harris and Dr. Steven Zucker. Monet paints the surface of the water itself, refusing the viewer the anchoring presence of a horizon or shoreline.

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