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10 lip 2016 · As opposed to terms like “text” and “textuality”, the term “texture” more clearly addresses the dynamic interwovenness of material form and immaterial processes of signification by anchoring acts of reading in the differentiable layers of materiality and mediality in a given text.
1 paź 2010 · ‘TEXTURE’ IS A METAPHORICAL TERM (originating in the craft of weaving) that is used in criticism of literature, music, and art with varying degrees of clarity and consistency. In this essay I shall apply it to the ‘woven’ interrelationship of the ‘physical’ elements, the verbal sounds, in the line of verse.
This is a work of literary criticism, and literature is defined by its texture. The proper business of literary criticism is the description of readings. Readings consist of the interaction of texts and humans. Humans are comprised of minds, bodies and shared experiences.
Texture, the concrete, physical elements of prose or poetry that are separate from the structure or argument of the work. Such elements include metaphor, imagery, metre, and rhyme. The distinction between structure and texture is associated particularly with the New Critics, especially John Crowe.
This chapter draws closely on cognitive grammar to show the aesthetic dimension in meaning-making, through a consideration of construal. Where cognitive grammar largely rests at clause-level, it extends its principles to be able to account for cohesion and coherence in literary texture.
Texture refers to the surface quality of a work of art, encompassing both the tactile and visual aspects that influence how an artwork is perceived. It can be actual, where the surface can be physically felt, or implied, where texture is suggested through techniques like shading and patterning.
6 wrz 2005 · ABSTRACT This paper explores the application of texture and textual attractors within a cognitive stylistic pedagogy for English teachers. Texture, defined as the feeling of building and experiencing …
