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8 gru 2021 · In sharing insights drawn from philosophy, music theory, ethnomusicology, psychology of performance and cultural studies, the book articulates a range of understandings on the metrics, politics and socialities woven into musical time.
Making music in the Anthropocene – in the sense of this study – is less about musical creation but (a) about recycling and transformation of material resources into cultural products and (b) the feedback processes between natural and industrially processed material and music.
8 gru 2021 · In countless and multifarious practices and performances of music across time and geographical divides, we find music to be functioning in regulating emotional, cognitive, and physiological states; mediating between ‘self’ and ‘other’; representing cultural symbolisms; and/or coordinating individual, dyadic, or group actions (see ...
8 gru 2021 · Traditional cyclical, epic, and goal-oriented senses of time all play a role in modern musical forms, even though the mythical, religious, and metaphysical content of these forms is hollowed out by scientific advances.
1 dzień temu · That adaptability means that a song can change its meaning according to its time, place and style. It is that transformative process, the cultural history of a song, that has been a focus of my research. One of the peculiarities of the classical music industry is the number of recordings that are made in the same repertoire.
18 sie 2009 · Music creates temporal form while unfolding in time. This qualifies music as an art of- and in time. Our experience of music is ambivalent: music is particular yet universal, transitory in experience yet lasting in reflection.
13 sty 2014 · Music creates discrete temporal units but ones that do not typically align with the discrete temporal units in which we measure time. Rather, music embodies (or, rather, is embodied within) a separate, quasi-independent concept of time, able to distort or negate “clock-time.”
