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1. hymnary.org › hymnal › TSP1998Taizé: Songs for Prayer | Hymnary.org

   hymnary.org › hymnal › TSP1998

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   Complete, fully searchable information about Taizé: Songs for Prayer, with MIDI files and page scans.

2. canticasacra.orgPsalm 25.Ad te, Domine, levavi – Cantica sacra

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   Ad te Domine levavi animam meam by A. Scarlatti (1660–1725) Our choir has frequently sung the first two verse of Psalm 25 as set by Alessandro Scarlatti. That motet is sung below by the choir of Saint Luke’s Ordinariate Parish, Washington D.C..

3. canticasacra.orgPsalm 120.Ad Dominum cum tribularer clamavi – Cantica sacra

   canticasacra.org

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   17 kwi 2022 · Our parish typically sings this great ancient hymn to Anglican chant. Most of the many settings of this text are in Latin, but one of the greatest in English is by William Byrd. MORE . . .

4. canticasacra.orgChanted and choral settings of the Psalms – Cantica sacra

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   William Byrd’s setting of the Te Deum adorns this familiar text with a kaleidoscopic sequence of sound. Psalm 1. Beatus vir qui non abiit. Psalm 2. Quare fremuerunt gentes? Psalm 3. Domine, quid multiplicati? Psalm 4. Cum invocarem exaudivit me. Psalm 5. Verba mea auribus percipe. Psalm 6. Domine, ne in furore tuo. Psalm 7.

5. cpdl.org › wiki › indexPsalm 120 - ChoralWiki - CPDL

   cpdl.org › wiki › index

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   15 mar 2024 · Ad Dominum cum tribularer clamavi, et exaudivit me. 2 Domine, libera animam meam a labiis iniquis et a lingua dolosa. 3 Quid detur tibi, aut quid apponatur tibi ad linguam dolosam?

6. gregorien.info › chant › id- Introitus - Oculi mei...respice - gregorien.info

   gregorien.info › chant › id

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   Oculi mei semper ad Dominum, quia ipse evellet de laqueo pedes meos: respice in me, et miserere mei, quoniam unicus et pauper sum ego.

7. www.communionantiphons.org › using-communion-antiphonsUsing Communion Antiphons - Laudate Dominum Communion Antiphons

   www.communionantiphons.org › using-communion-antiphons

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   Laudate Dominum Communion Antiphons are pieces of easy, English congregational music to meet this norm. Each of these antiphons is a newly composed paraphrase, set in the same Gregorian mode as the corresponding antiphon in the Graduale Romanum.