Search results
2 lip 2005 · According to Kant’s official view there are three kinds of aesthetic judgment: judgments of the agreeable, judgments of beauty (or, equivalently, judgments of taste), and judgments of the sublime.
- Kant’s Theory of Judgment
1. The Nature of Judgment. Theories of cognitive judgment...
- Aesthetic Judgment
In the first part of this essay, we will look at the...
- Kant’s Philosophy of Science
Kant’s philosophy of science has received attention from...
- Kant's Critique of Metaphysics
First Introdcution to the Critique of Judgment, 1965, trans....
- Kant’s Theory of Judgment
28 lut 2003 · In the first part of this essay, we will look at the particularly rich account of judgments of beauty given to us by Immanuel Kant. The notion of a “judgment of taste” is central to Kant’s account and also to virtually everyone working in traditional aesthetics; so we begin by examining Kant’s characterization of the judgment of taste.
Kant believes he can show that aesthetic judgment is not fundamentally different from ordinary theoretical cognition of nature, and he believes he can show that aesthetic judgment has a deep similarity to moral judgment.
Aesthetic Judgement. The first part of the book discusses the four possible aesthetic reflective judgments: the agreeable, the beautiful, the sublime, and the good. Kant makes it clear that these are the only four possible reflective judgments, as he relates them to the Table of Judgments from the Critique of Pure Reason.
20 maj 2023 · Kant's Views on Beauty and Taste. Immanuel Kant's aesthetic theory is a key concept in philosophical thought. Kant's views on beauty and taste were heavily influenced by his belief that knowledge is only possible through experience.
27 maj 2009 · In this article I will limit myself to this critical aesthetics of Kant. But I will also discuss the ugly and the possibility of beauty in mathematics and see whether Kant's theory can successfully explain or deal with them.
24 wrz 2020 · In the first main part of the work, the critique of the aesthetic power of judgment, Kant analyzes and defends our responses to, and judgments of, the beautiful in both nature and art and the sublime in nature; in the second main part, the critique of the teleological power of judgment, Kant defends our “regulative” rather than ...
