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Reworked from the Cantata: Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a
- Pieces for Easter Sunday
Pages in category "Pieces for Easter Sunday" The following...
- Paul Brainard
Ach Gott, vom Himmel sieh darein, BWV 2 (Bach, Johann...
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- Category:Bech-Larsen, Karl
Category:Bech-Larsen, Karl - Oster-Oratorium, BWV 249 (Bach,...
- Pieces for Easter Sunday
The Netherlands Bach Society performs 'Kommt, eilet und laufet' for All of Bach. This Oster-Oratorium (Easter oratorio) was first performed on Easter Sunday ...
The Easter Oratorio (German: Oster-Oratorium), BWV 249, is an oratorio by Johann Sebastian Bach, beginning with Kommt, eilet und laufet ("Come, hasten and run"). Bach composed it in Leipzig and first performed it on 1 April 1725.
4 kwi 2021 · The Easter Oratorio BWV 249, the first of the three works Bach called an Oratorio (the Christmas Oratorio BWV 248 and the Ascension Oratorio BWV 11 are the l...
7 maj 2024 · Easter Oratorio BWV 249 - Come, hurry and run, you swift feet: Event: Oratorio for Easter Day [Easter Sunday] Readings: Epistle: 1 Corinthians 5: 6-8; Gospel: Markus 16: 1-8 Text: Christian Friedrich Henrici (Picander)? Characters: Mary mother of James (Soprano), Mary Magdalene (Alto), Peter (Tenor), John (Bass)
3 lut 2022 · Bach's Easter Sunday performance calendar continued with Cantata 31, "Der Himmel lacht! die Erde jubilieret" (The heavens laugh! The earth shouts with joy), introduced in Weimar in 1715 to a text of court poet Salomo Franck, and finally the Easter Oratorio: "Kommt, eilet und laufet"
In Bach’s church music, this Easter oratorio is an exceptional work in the sense that the recitatives and arias are sung by four biblical characters, almost like a Passion Play. They are Mary Magdalene, Mary Jacobe, Simon Peter and John the Apostle.
