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Some eighteenth-century portraits painted in the colonies—from those of the Freake family to those Copley painted such as the dual portrait of Mr. and Mrs. Mifflin—all speak to a kind of dialogue between European artistic precedents and the interests of a North American audience.
In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting.
The collection features artworks that trace the transformation of the thirteen colonies into a nation, including portraits by John Singleton Copley, Charles Willson Peale, and Gilbert Stuart; landscapes by Thomas Cole; and sculptures by Horatio Greenough.
Thanks to expatriate Americans such as Copley and Benjamin West (1738–1820), narrative painting in both Neoclassical and proto-Romantic styles was pioneered in London in the late eighteenth century. For such works, expert preparatory draftsmanship was indispensable to portraying historical personages, articulating the figure in action, and to ...
By the third quarter of the eighteenth century, Philadelphia had supplanted Boston as the largest and richest of colonial American cities. Cabinetmakers created masterpieces in the Rococo style based on images in ornament and print books imported from London.
13 kwi 2007 · American painters of the nineteenth century often favored naturalism and Romanticism over older neoclassical styles and subject matter. Whether Georgia-born artists, immigrants, temporary residents, or tourists, many painters in the state fashioned important contributions to the history of American art.
Portraits predominate the 107 paintings in this volume, and the portraits collected by Thomas B. Clarke in the second and third decades of the 20th century form the nucleus of the Gallery’s holdings in 18th-century American paintings.
