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  1. 21 sie 2006 · Alternative theorizations have recognized a second stage where capital follows the artist into gentrified localities, commodifying its cultural assets and displacing original artists/gentrifiers.

  2. In a world increasingly dominated by mass production and globalized markets, the importance of supporting local artists cannot be overstated. Local artists serve as the lifeblood of creative communities, infusing neighborhoods with their unique perspectives, talents, and stories.

  3. 6 mar 2015 · quality arts and cultural activities are not only the domain of capital cities. But artists living in the grey areas between clear-cut metropolitan and rural areas must pay careful attention...

  4. 31 paź 2000 · Despite increasing globalization, communities are beginning to recognize their own identity, culture, traditional art forms and the value of working together at a local level.

  5. 4 mar 2022 · By situating art practices like the Dadye of Karnali and the woodblock printing in Kathmandu and Nuwakot, the Kathmandu Triennale is breaking the dichotomy between “modern” and “traditional” to bring forward historically sidelined art expressions and promote Nepal's diverse cultural heritage.

  6. An appreciation of modern styles of art (i.e., abstract, non-figurative art, in opposition to traditional art) is positively correlated with social-stratification variables, such as education and family cultural capital.

  7. Art also encourages us to cherish intuition, uncertainty, and creativity and to search constantly for new ideas; artists aim to break rules and find unorthodox ways of approaching contemporary issues.

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