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Cronenberg tackles the emptiness of mundanity and how the film’s car-crash victims find a connection in the brutal mechanism of the automotive accidents they participate in and witness, and how their yearning for the collective modernity of these violent events shape their newfound epiphanies.
23 cze 2004 · In 2035, where robots are commonplace and abide by the three laws of robotics, a technophobic cop investigates an apparent suicide. Suspecting that a robot may be responsible for the death, his investigation leads him to believe that humanity may be in danger.
When Vaughan rams his car into Catherine's while it is unattended, he and James aggressively pursue each other. On an overpass, Vaughan intentionally crashes his car, landing on a passenger bus below and killing himself. After Vaughan's death, Gabrielle and Helen visit a junkyard and affectionately embrace while lying in the wreck of Vaughan's car.
18 wrz 2024 · The finest movies about dying stand as a testament to the power of storytelling in capturing deep, universal truths about our existence. Masterful filmmakers have tackled this complex subject matter and delivered exceptional portrayals of death, loss, and the resilience of the human spirit.
Crash: Directed by David Cronenberg. With James Spader, Holly Hunter, Elias Koteas, Deborah Kara Unger. After recovering from a car crash, a film producer becomes involved with an underground sub-culture of car crash victims who are sexually aroused by car accidents, hoping it will help him rekindle his sexual relationship with his wife.
5 wrz 2019 · Written by J.G. Ballard in 1973, Crash tells the story of Catherine and James Ballard, a couple in an open relationship who are drawn into the world of Vaughan, a car-crash enthusiast who can only achieve sexual fulfilment by instigating collisions on the motorways surrounding Heathrow.
27 lis 2020 · It starts with an accident between James Ballard (James Spader) and Dr. Helen Remington (Holly Hunter) where her husband is killed and both of them are left permanently disabled. Ballard’s open marriage with his wife Catherine (Deborah Kara Unger) is struggling to find its own erotic charge in between tales of their individual dalliances.
