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‘Programme’ indicates a preface of some sort, added to a piece of instrumental music, intended to tell the narrative or give the subject of the forthcoming piece. In Liszt’s words, to “guard the listener against a wrong poetical interpretation” [Scruton, 2001].
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Hanslick to reveal program music’s growth, dissemination, and reception. This comprehensive overview features numerous illustrations and music examples and provides detailed case studies of battle music, Shakespeare
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The essays in this collection present various perspectives on program music, exploring dimensions of the conceptions of absolute and program music, narrative in music, compositional strategies and extra-musical influences on composition, symphonic poems and other programmatic genres, and reception of program music.
5 sty 2015 · Summary. In February 1848, the celebrated pianist Franz Liszt assumed his duties full time as Kapellmeister at Weimar, the capital of the Grand Duchy of Saxe-Weimar. Over the previous decade, Liszt had enjoyed some of his most important artistic successes in Paris, Vienna, Berlin, London, Pest, St. Petersburg, and even Constantinople; thus his ...
Setting program music in the context of the intellectual debates of the period, Kregor presents the criticism of writers like A. B. Marx and Hanslick to reveal program music's growth, dissemination, and reception.
