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This book delivers what it promises: it is intended as an introductory textbook to the psychology of music with an emphasis on music cognition. The book contains 250 pages of text, text boxes, illustrations, and a comprehensive subject and author.
31 gru 2013 · The goal of this chapter is to review contemporary empirical research on music and emotion primarily within music psychology. We begin by commenting on the recent history of the field. Then,...
11 mar 2010 · Therefore, in theory, musical behaviours fit well with the models of selection, at both individual and group levels, that demonstrate how the development and spread of musical behaviours is...
2 maj 2023 · The aim of the psychology of music is to understand musical phenomena in terms of mental functions--to characterize the ways in which one perceives, remembers, creates, and performs music.
This chapter will focus on some of these issues in detail: the psychophysics of timbre, timbre as a vehicle for source identity, the role of timbre in musical grouping, and timbre as a structuring force in music perception, including the effect of sound blending on the perception of timbre, timbre’s role in the grouping of events into streams ...
The cognitive science of music integrates ideas from philosophy, music theory, experimental psychology, neuroscience, anthropology, and computer modeling to answer the big (and little) questions about music’s role in human lives.
22 lis 2018 · The Psychology of Music: A Very Short Introduction explores how the psychology of music confronts these questions. It connects the science to larger humanistic questions about music that are of interest to practicing musicians, music therapists, musicologists, and the general public alike.
