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The term ‘electronic text’ is used specifically to mean a transcription of a text, rather than an electronic or digital image of it. This means that the text can be manipulated in various ways, for example by inserting or deleting material, or by searching for words and phrases.
This chapter discusses some principal themes of the Cambridge Companion to Music in Digital Culture, emphasising the social and cultural dimensions of digital music. A historical introduction ranges from the embedding of digital technology in everyday life to the emergence of virtual realities, from digital-only genres like vaporwave to Second ...
28 cze 2017 · ABSTRACT. This article examines a striking but under-analysed feature of culture under capitalism, using the example of music: that the main ways in which people gain access to cultural experiences are subject to frequent, radical and disorienting shifts. It has two main aims.
This article identifies five key themes, or sets of criticisms, that have emerged in online commentary on the new musical system centred on streaming platforms, and in related academic research...
3 mar 2023 · The proposed ICME framework provides a multidisciplinary context for understanding the act of engaging with different cultures through music. Such considerations may help us understand contextualized expressions and diversity in music, and can advance the field in line with a social justice approach.
A great mix of traditional and contemporary musical cultures from Europe, Africa, North America, South America, Oceania, East Asia, South Asia and the Middle East are analyzed in a consistent format (including historical background together with music examples, followed by a brief listening guide).
24 paź 2023 · What impact does music streaming have on the production and aesthetics of popular music? Based on 15 qualitative interviews with Norwegian music creators, this article explores how music production is executed and interpreted under the paradigm of platformization.
