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  1. As a topic, literary geography can be approached by way of a number of distinct methods, such as thematic discus-sion, philological analysis of place-names, or theoretical analysis of ctional worlds. Indeed, setting is such a exible and ubiquitous concept in literary studies that it can be hard for critics to arrive at one de nition. Further ...

  2. 21 gru 2023 · Geography and the Environment & Geographic Information Science. The Geography Program provides students with critical thinking skills, specific geographic expertise, and the research experience needed to meet real world challenges.

  3. 19 lis 2013 · Literary texts are here conceived as sites for ‘alternative geographic epistemologies’, and sources with which map thinkers should engage for epistemological insight; from literature, interrogations about geography’s epistemological assumptions can arise, thus producing an impact on geographical knowledge (Brosseau, 2009: 214, 216).

  4. Thinking Space is a series of short position papers on key terms and concepts for literary geography. Cumulatively, these accessible and wide-ranging pieces will explore the scope, parameters, and critical vocabulary of the field, clarifying important issues and stimulating discussion and debate.

  5. The author discusses three recent appropriations of the spatial thought in literary studies: the modernization of traditional literary geography in the research of the relations between geospaces and fictional worlds (Piatti, Westphal), the systematic analysis of the genre development and diffusion with the help of analytical cartography ...

  6. Need help with Chapter 19: Geography Matters… in Thomas C. Foster's How to Read Literature Like a Professor? Check out our revolutionary side-by-side summary and analysis.

  7. 8 sty 2010 · Tuan argues that ‘literary art serves the geographer in three principal ways’: (i) as ‘a thought experiment’ suggesting topics of study; (ii) as an artefact in the history of ideas; (iii) as a model for geographical work that balances the subjective and the objective.