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Beniamino Gigli (/ ˈ dʒ iː l i / JEE-lee, Italian: [benjaˈmiːno ˈdʒiʎʎi]; 20 March 1890 – 30 November 1957) [1] was an Italian opera singer (lyric tenor). He is widely regarded as one of the greatest tenors of his generation.
La Gioconda was first performed at the Teatro alla Scala, Milan, on 8 April 1876 with Italian soprano Maddalena Mariani Masi in the title role and Spanish tenor Julián Gayarre as Enzo. [2]
20 mar 2019 · That same year, he made his debut in “La Gioconda” in Rogivo, launching his career. Major debuts all around Italy ensued, including La Scala in 1918. In 1920, he made his first ever Met Opera appearance and became a fixture with the company, singing in over 500 performances over a 40-year span.
Conceived on the grandest of scales, Amilcare Ponchielli’s “La Gioconda” contains all the paraphernalia dictated by the nineteenth-century grand opera formula: four acts, a melodramatic storyline, a large cast, massive crowd scenes, a huge orchestra, opulent settings, and a ballet.
Personaggi. La Gioconda, cantatrice (soprano) Laura Adorno, genovese, moglie di (mezzosoprano) Alvise Badoero, uno dei capi dell'Inquisizione di stato (basso) La Cieca, madre della Gioconda (contralto) Enzo Grimaldo, principe genovese (tenore) Barnaba, cantastorie (baritono) Zuàne, regatante (basso) Un cantore (basso)
With its ironic title, La Gioconda (The Happy Woman), is a grand opera of immense proportions, which requires five incredible principle singers to do the challenging vocal writing justice. La Gioconda is Ponchielli’s most well-known opera, and stands proudly alongside other Italian opera of the 19th century.
La Gioconda characters breakdowns including full descriptions with standard casting requirements and expert analysis.
