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20 lut 2020 · Images are conceptualised through the lens of sociocultural psychology and analytically approached through the metaphor of ‘the social life of images,’ by which the life cycle of images is followed as they respond and borrow from one another in a continuous dialogue.
20 lut 2020 · Images are conceptualised through the lens of sociocultural psychology and analytically approached through the metaphor of ‘the social life of images,’ by which the life cycle of images is...
‘the social life of images,’ then follow this social life through an analytical framework that begins with (1) situating the image and exploring its spatial and temporal context, then (2) identifying the social actors involved with the image, and (3) the different stages
It begins by presenting the predominance of the Visual in contemporary society and the current anthropological interest in the questions of visibility. The text then refers the ability that images have to expose wider social problematics.
This entry examines the work anthropologists have done on, and with, photography. It surveys the conclusions anthropologists have reached about the social and cultural impacts of photography and discusses the multimodal experiments that define the use of photography in anthropology today.
11 maj 2020 · Realist materialism is ambivalently embroiled with aesthetic social forms. The photography of Edith Tudor Hart (née Suschitzky, 1908–1973) was influenced both by Bauhaus and the Austrian worker-photographic schools, and informed by a realist aesthetic and politics of class, exile and gender.
Visual anthropology includes both producing anthropological media, such as ethnographic films, exhibitions, and photography, as well as analysing existing media as part of anthropological enquiry. Conceptually, visual anthropology lies at the intersection of the study of human perception and imagination, audiovisual media, and ethnography. [1]
