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  1. In 1977 Indiana conceived a new version of his iconic LOVE sculpture, AHAVA, using the Hebrew word for “love” in the same distinctive quadripartite composition that he had developed in the mid-1960s. The work embodies Indiana’s unique approach to sculptural form, translating the two-dimensional written word into a monumental sculpture ...

  2. stories.thejewishmuseum.org › tu-bav-the-jewish-holiday-of-love-%EF%B8%8F-36b4Tu B’Av, the Jewish Holiday of Love ️

    7 sie 2017 · In 1977 Robert Indiana (American, b. 1928) created a Hebrew version of his 1960s LOVE sculpture for the Israel Museum in Jerusalem. Aleph, hey, vet, and hey , the four letters used to spell ahava (“love” in Hebrew), were placed in the same iconic two-over-two composition used for the original LOVE .

  3. israelpublicart.com › collection › ahavaIsrael Public Art

    Ahava. Caption Indiana's iconic work "LOVE" (Ahava in Hebrew) was first created for a Christmas card for the Museum of Modern Art in 1964 and in 1973 was selected for a United States postage stamp, the first of their regular series of "Love" stamps.

  4. Few sculptures have captured hearts quite like Robert Indiana's iconic LOVE series. Characterized by large-scale letters stacked to spell out the word “LOVE,” these sculptures add a Pop Art touch to their surroundings, from bustling city corners to busy college campuses.

  5. 18 lis 2015 · LOVE AS WE KNOW IT BEGAN AS A CHRISTMAS CARD. Through his exploration in text art, Indiana created his first LOVE for personal Christmas cards in 1964.

  6. 16 mar 2024 · Robert Indiana's "LOVE" sculptures hold a prominent and distinctive place in both the art market and the artist's oeuvre, representing a pinnacle of his creative expression and leaving an indelible mark on the landscape of contemporary art.

  7. An oral history of pop’s most famous four-letter word. By Rachel Wolff on December 11, 2013. The composition of Robert Indianas unwaveringly iconic “LOVE” motif is simple enough: two pairs of letters stacked in a square, the L, the V and the E standing tall and crowded around an italicized O.

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