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In 1977 Indiana conceived a new version of his iconic LOVE sculpture, AHAVA, using the Hebrew word for “love” in the same distinctive quadripartite composition that he had developed in the mid-1960s. The work embodies Indiana’s unique approach to sculptural form, translating the two-dimensional written word into a monumental sculpture ...
The composition of Robert Indiana’s unwaveringly iconic “LOVE” motif is simple enough: two pairs of letters stacked in a square, the L, the V and the E standing tall and crowded around an italicized O. But oh that O.... Rarely is a word’s meaning so cleverly embedded in its typography.
13 lut 2017 · By 1977, Indiana started translating his LOVE design into other languages. His first translation, AHAVA (1977) means "love" in Hebrew. After being exhibited in Central Park, the piece was gifted to the Israel Museum in Jerusalem.
Love is a noun and a verb and so one must decide what my love is. It’s a command, love, and it’s a subject, love. It is an exercise, and grammar is one of my favorite subjects. — Robert Indiana, interviewed by Susan Elizabeth Ryan, January 13, 1991
16 mar 2024 · Let's delve into the captivating narrative behind Robert Indiana's "LOVE" and explore its profound impact on the art world and beyond. The Origins of Robert Indiana "LOVE": Robert Indiana, originally born Robert Clark, emerged as a prominent figure in the Pop Art movement of the 1960s.
Few sculptures have captured hearts quite like Robert Indiana's iconic LOVE series. Characterized by large-scale letters stacked to spell out the word “LOVE,” these sculptures add a Pop Art touch to their surroundings, from bustling city corners to busy college campuses.
Indiana first began experimenting with his stacked LOVE image in 1964, in a series of rubbings that he sent to friends as Christmas cards. This drawing was given to Gene Swenson, an art critic and early champion of the artist’s work.
