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28 lis 2022 · This conversation between two historians, one of Islamic art and architecture and the other of European medieval art and architecture, took place in person and virtually across the Atlantic in summ...
Papers in this session contend with the politics of periodization within art history: the ways ‘ancient,’ ‘medieval,’ ‘early modern,’ and ‘premodern’ have been utilized conceptually in the afterlives of specific cultures’ artworks and within imperialist narratives of ‘progress’ and ‘civilization.’
This programme aims to: diversify art history. reveal meaningful connections and shared concerns. embrace a breadth of theoretical frameworks and methodological approaches to objects from across the world. You will cover a period from the third to the eighteenth century, with a far-reaching geographical scope, including: the British Empire. Europe.
THE PLAY OF EARLY SOCIETIES. One would expect a chronological study to begin by examining the play of prehistoric peoples during the Paleolithic and Neolithic epochs. However, relatively little is known about the nature of leisure and play in these early periods.
In the last fifteen years replicated objects have gained an increasingly central position in the discourse about pre-modern art.
This programme aims to: diversify art history. reveal meaningful connections and shared concerns. embrace a breadth of theoretical frameworks and methodological approaches to objects from across the world. You will cover a period from the third to the eighteenth century, with a far-reaching geographical scope, including: the British Empire. Europe.
28 lis 2022 · Abstract. A conversation took place in 2021 between two art historians whose research focuses on different regions of the premodern world and who have recently collaborated on a project...
