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  1. 18 sie 2021 · This paper examines negative space in sculpture as being valuable as positive space. To achieve its objective, few sculptures with dominant attributes of negative forms were analyzed, using...

  2. The study primarily was tailored objectively to prove negative space as a form of sculpture, address issues of forms in regard to space, and encourage artist and patrons to regard the...

  3. In The Culture of Time and Space, Stephen Kern introduces the term “positive-negative space” to describe the primacy of empty space as a formal subject matter in sculptures of the early twentieth century. Derived from art criticism, the concept of positive-negative space hinges on the possibility that what is perceived as empty might

  4. For a work of sculpture doesn’t just occupy space in general, it inhabits a specific, identifiable space—i.e. a place—which of course includes the space of galleries and museums, but also (and more importantly) those spaces inscribed by symbolic or functional significance: parks, boulevards, churches, courthouses, memorial sites, etc.

  5. As you walk around, take a closer look at positive and negative spaces of the sculptures and what you see. Is the sculpture solid or are there negative spaces within the sculpture itself?

  6. 26 lut 2024 · Negative space, also called white space, is the area around and between subjects in an image. It’s crucial in design and art, allowing objects to stand out and creating visual balance. The theory of negative space emphasises the importance of the space around and between objects in a composition.

  7. In her text Sculpture in the Expanded Field, originally published in 1979 by October magazine, Rosalind Krauss proposes a new approach to space, one that radically surpasses the limits of the traditional notion of sculpture in three-dimensional art production and that is regarded as part of the transition to post-modernity.

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