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1 mar 2019 · The essay reflects on the practice of the Filipino art critic and art historian Alice Guillermo. Surfacing in her practice are such theoretical concerns as the social presence of art and the specificity of the artistic material in relation to its contexts.
3 gru 2020 · The book profiles ten Filipino artists who have been doing work that reflect their critical responses and views on the sociopolitical realities of Philippine society. It focuses on their inner lives and the influences that led them to who they are today and what they do as artists.
sociologist of art would feel the least reason to read the analogous account of art in Weber’s Rational and Social Foundations of Music. Indeed, the widened empirical scope of sociolog-ical work on art, and expansion in the number of sociologists studying art, occurred precisely as the field turned away from a direct engagement
The spatial relationship between CNU and NCCA in the governance structure of cultural affairs in the Philippines was a legitimate means of advancing, preserving and developing the culture and the arts of the country through the training of Filipino educators that is responsive to the multicultural needs of the Filipinos to improve their quality ...
The Tears of the Hip-Hoptivist or The Rock and the Hard Place: Social Practice in the Philippines. Looking at the legacy of 1970s social realist painting in the Philippines, Patrick D. Flores reflects on the intersection of postcolonial discourse, historical imagination and political art practice.
Looking at the legacy of 1970s social realist painting in the Philippines, Patrick D. Flores reflects on the intersection of postcolonial discourse, historical imagination and political art practice. To name and annotate a practice is one stage in the discursive struggle of the term ‘social realism’ in the Philippines.
Art is a human construct, constrained by social forces and ideologies. This document discusses the premises of studying art within a social context. It argues that art should be understood as a signifying practice grounded in society and history.
