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Peepli Live and the Gesture of Concern picture of rural India depicted in Peepli Live, the film is clear that its rural protagonists and its Anglophone audience belong to completely different worlds. Though rich in satirical detail, the film is "humanist" rather than tion.
Peepli Live - is a different kind of film which exhibits a humanist concern without being "political" in a comparable way. Meant for a Different Audience For a mainstream film, Peepli Live gives us a view of rural India that is almost without precedent in its authenticity. At the same time, there is evidence in Peepli Live that
This paper examines the portrayals of caste inequality and poverty in India in the films Lagaan, Banaras: A Mystic Love Story, and Peepli Live. The film Lagaan portrays the colonial exploitation of lower castes, highlighting social and economic marginalisation.
My paper attempts a study of this relatively new phenomenon in Bollywood using relevant theories of humor in the context of audiovisual entertainment media. It proposes a parallel study of intention, content and impact of ‘Peepli (Live)’ and relating them to the larger issue of social consciousness, responsibility and media in present time.
Peepli Live is a 2010 Indian satirical black comedy film that explores the topic of farmer suicides and the subsequent media and political response. [3] It is written and directed by Anusha Rizvi in her directorial debut, and produced by Aamir Khan Productions.
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A Sociological Review of Peepli Live 2010 by Dr Shivam. Journal Space and Culture, India Open access Journal. Marginalisation is a process of distancing (either by coercion or voluntarily) from the centre and relegate to the margin. In the social context, this marginalisation is lack of importance to certain socially disadvantaged groups.
