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Bianca is a prostitute looking for love, which she foolishly thinks that Cassio can give her. She first appears at the end of the third act, when Cassio is waiting in hopes that Desdemona might be able to bring Othello back with a decision about his job.
Cassio and Bianca make up, unlike the tragic central couple. We know this because Cassio is dining with Bianca before he is wounded in the final scene. In Act V, Bianca’s genuine love for Cassio is seen when she discovers her lover has been stabbed: ‘Alas, he faints!
Bianca can be compared with both Desdemona and Emilia and shares some of their qualities. Her relationship with Cassio is less idealistic than the Othello-Desdemona match, but she is an affectionate and genuine partner. She too is accused falsely of treacherous behaviour (by Iago).
When Othello withdraws, Iago informs the audience of his actual intention. He will joke with Cassio about the prostitute Bianca, so that Cassio will laugh as he tells the story of Bianca’s pursuit of him. Othello will be driven mad, thinking that Cassio is joking with Iago about Desdemona.
In Act Four, Scene One, Iago tells Cassio that there is a rumor that he is going to marry Bianca. Cassio feels insulted and ridicules Bianca for being a whore. Cassio even mentions that Bianca...
Bianca is a Venetian courtesan who is in love with Cassio... who in turn sees her as a laughable nuisance. Shakespeare's portrayal of Bianca is sympathetic—when Cassio treats her like garbage, it's clear that Shakespeare's making a point about how women get used throughout the play.
Although the other characters dismiss Bianca as a promiscuous woman, she shows real affection for Cassio. Iago, however, uses misogynistic stereotypes to implicate the (innocent) Bianca, and further put himself in the clear.
