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  1. The Cleveland Museum of Art continues to research works in its collection that could have been in Continental Europe between 1933 and 1945 and that either have gaps in their provenance or that were known to have been confiscated by the Nazis during their time of power.

  2. Six of the posters exemplify Nazi attempts to recruit French soldiers to fight the Soviet Union; to lure French people to do war work in Germany; and to make known the “enemy”: Jews, capitalists, and Communists.

  3. Designed to link Jews and typhus closely together in the minds of non-Jewish Poles, the poster shows one of the feared typhus-ridden lice drawn on top of the face of a Jewish man that has been made to look like a skull.

  4. 30 lis 2020 · The Nazis made extensive use of propaganda to cement their reign of terror. An illustrated book looks at the psychological manipulation behind Nazi poster art.

  5. artsandculture.google.com › story › state-of-deception-united-states-holocaustState of Deception — Google Arts & Culture

    State of Deception: The Power of Nazi Propaganda examines how the Nazis sought to manipulate public opinion in order to attain their goals, the end result of which was a war that cost the...

  6. 23 lut 2009 · This poster, on display in “State of Deception: The Power of Nazi Propaganda” at the United States Holocaust Memorial Museum, translates as “He is to blame for the war!” Library of Congress,...

  7. 8 cze 2020 · In 1937, Nazi Propaganda Minister Joseph Goebbels made plans to show the public the forms of art that the regime deemed unacceptable. He organized the confiscation and exhibition of so-called “degenerate” art.

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