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The Musical Narrativity in Contemporary Music as an Analytical Strategy. Introduction. “Narrativity,” an area of contemporary literary theory, has attracted scholarly attention and evoked lively arguments in multiple disciplines.
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As is indicated by the title, this presentation deals with implemented narrativity on two fronts within the complex process of live musical performance: a “concert story” told by the musician in front of the live audience in the performance situation and a structured complex of verbal and non-verbal narrative in the studio during the process of ...
12 lip 2022 · But what does Narrative Music (or sound) means, more specifically? What characteristics make a sound "Narrative"? And how can we use it at our advantage, when crafting a musical piece in support of a story (whether it is told via a film, a video game or anything else)?
SESSION 1: NARRATIVITY OF MUSIC IN FILM, GAMES, AND MUSICAL IGNATIUS TAN (NANYANG TECHNOLOGICAL UNIVERSITY) Melody of Mistrust of Mutterings: Silent Voice and Narrative Musicality in the Cinema of Yorgos Lanthimos When one thinks of the cinematic oeuvre of acclaimed Greek filmmaker Yorgos Lanthimos, one of
This overview of the development of narrative theory in music charts the course of three “waves” of narratological engagement with music: 1) the scholars of the 1980s, such as Anthony Newcomb, Susan McClary, and Patrick McCreless, whose work focused on narrative in instrumental tonal music; 2) a period of critical reappraisal of musical ...
Maus, Music as Narrative 7 Instrumental music consists of a series of events, and the easiest anthropomorphism is to treat those events as behavior, as actions.11 Once one begins thinking of musical sounds as actions, rather than just events, the notion of plot or narrative is close at hand. Stories are primarily about human actions, and the story
