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This overview of the development of narrative theory in music charts the course of three “waves” of narratological engagement with music: 1) the scholars of the 1980s, such as Anthony Newcomb, Susan McClary, and Patrick McCreless, whose work focused on narrative in instrumental tonal music; 2) a period of critical reappraisal of musical ...
Narrative Film Music. Underlying the particular relationships between music and the feature story film are theoretical and aesthetic problems that have intrigued a wide spectrum of scholars and critics for forty years. The moment we.
This article will take a closer look at some of the functions of narrative media music, music used for narrative purposes in film, television and computer games etc – and discuss how meaning is achieved in interplay with the visuals.
SESSION 1: NARRATIVITY OF MUSIC IN FILM, GAMES, AND MUSICAL IGNATIUS TAN (NANYANG TECHNOLOGICAL UNIVERSITY) Melody of Mistrust of Mutterings: Silent Voice and Narrative Musicality in the Cinema of Yorgos Lanthimos When one thinks of the cinematic oeuvre of acclaimed Greek filmmaker Yorgos Lanthimos, one of
Part of the appeal of music may come from the story, or narrative, which music conveys. Narrative is a vessel through which musicians can express stories from their lives to their lis-teners, and these narratives tend to be personal, reveal changes in social attitudes, and be genre-dependent.
1 lis 2007 · Over the past 50 years, both music and narrative have gained stature as therapeutic practices. The first two parts of this paper will focus on how music may be used to narrate events and to express personal meaning in both art and therapy.
This comprehensive volume offers a wide-ranging perspective on the stories that art music has told since the start of the 20th century. Contributors challenge the broadly held opinion that the loss of tonality in some music after 1900 also meant the loss of narrative in that music.
