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musical narrativity, the processes of tension and release unavoidably leads to the question of how a musical work takes shape in the listener’s mind as a temporal organization. However, music narrativity is associated with tonal music. Most ideas of musical narrative have been employed and developed mainly in analyzing tonal music.
This overview of the development of narrative theory in music charts the course of three “waves” of narratological engagement with music: 1) the scholars of the 1980s, such as Anthony Newcomb, Susan McClary, and Patrick McCreless, whose work focused on narrative in instrumental tonal music; 2) a period of critical reappraisal of musical ...
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This comprehensive volume offers a wide-ranging perspective on the stories that art music has told since the start of the 20th century. Contributors challenge the broadly held opinion that the loss of tonality in some music after 1900 also meant the loss of narrative in that music.
1 sty 2020 · In November of the same year, the annual conference of the American Musicological Society in Baltimore presented a session entitled ‘Text and Narrative’, chaired by Carolyn Abbate, and, at the instigation of Joseph Kerman, a session devoted to Edward T. Cone's The Composer's Voice.
Maus, Music as Narrative 7 Instrumental music consists of a series of events, and the easiest anthropomorphism is to treat those events as behavior, as actions.11 Once one begins thinking of musical sounds as actions, rather than just events, the notion of plot or narrative is close at hand. Stories are primarily about human actions, and the story
SESSION 1: NARRATIVITY OF MUSIC IN FILM, GAMES, AND MUSICAL IGNATIUS TAN (NANYANG TECHNOLOGICAL UNIVERSITY) Melody of Mistrust of Mutterings: Silent Voice and Narrative Musicality in the Cinema of Yorgos Lanthimos When one thinks of the cinematic oeuvre of acclaimed Greek filmmaker Yorgos Lanthimos, one of
