Search results
narrative perceptions in response to nonlinguistic sound. We measured narrative responses to wordless Western and Chinese music in participants in the US and in a cluster of villages in a rural part of China using a Narrative Engagement (NE) scale developed specifically for this project.
This last type of listening, one of multiple possible ways of interacting with music, is termed narrative engagement with music, and can be measured by the Narrative Engagement Scale, a quick four-question inventory assessing the storys vividness, ’ immediacy, clarity, and ease of imagining that has been developed and validated at multiple resea...
The Musical Narrativity in Contemporary Music as an Analytical Strategy. Introduction. “Narrativity,” an area of contemporary literary theory, has attracted scholarly attention and evoked lively arguments in multiple disciplines.
This overview of the development of narrative theory in music charts the course of three “waves” of narratological engagement with music: 1) the scholars of the 1980s, such as Anthony Newcomb, Susan McClary, and Patrick McCreless, whose work focused on narrative in instrumental tonal music; 2) a period of critical reappraisal of musical ...
26 lis 2019 · Together, these findings paint the picture that narrative listening is a fundamental mode of engaging with music, with enculturation determining which specific musical patterns seem to tell...
Although people across multiple cultures have been shown to experience music narratively, it has proven difficult to disentangle whether narrative dimensions of music derive from learned extramusical associations within a culture or from less
As is indicated by the title, this presentation deals with implemented narrativity on two fronts within the complex process of live musical performance: a “concert story” told by the musician in front of the live audience in the performance situation and a structured complex of verbal and non-verbal narrative in the studio during the process of ...
