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13 sie 2013 · Over the past several decades, scholars have proposed numerous functions that listening to music might fulfill. However, different theoretical approaches, different methods, and different samples have left a heterogeneous picture regarding the number and nature of musical functions.
3 gru 2017 · A growing body of ‘emotivist’ music psychology research has nonetheless demonstrated that music does elicit a response in multiple components, as observed with non-aesthetic (or ‘utilitarian’) emotions.
A psychological expla-nation of music appreciation, in turn, should identify processes that, from a range of inputs, generate outputs associated with music experience, understanding, and engagement. This section presents evidence that processes of source sensitivity pervade musical appreciation.
Music psychology, or the psychology of music, may be regarded as a branch of both psychology and musicology. It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life.
31 gru 2013 · The goal of this chapter is to review contemporary empirical research on music and emotion primarily within music psychology. We begin by commenting on the recent history of the field.
11 paź 2024 · Firstly, we have highlighted and critically assessed key contributions of empirical research in music psychology and music neuroscience to our understanding of non-ordinary states of consciousness, such as absorption, mind wandering and creative thought, emphasizing the broader significance of exploring consciousness through music ...
24 lip 2013 · Written in a clear, engaging style, this textbook covers the origins of music, the building blocks of music, perception, perception of musical structure, music and emotion, neurological substrates, performance, composition, and relationships between music and other abilities.
