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Student and teacher perceptions regarding composition instruction were investigated using case study techniques in two high school music programs: a general music program providing...
The Renaissance Reform of Medieval Music Theory. Modern scholars have often portrayed hexachordal solmization – the sight-singing method introduced by the eleventh-century monk Guido of Arezzo – as the diatonic foundation of early music. Stefano Mengozzi challenges this view by examining a representative sample of the primary sources of ...
21 lis 2022 · Abstract. Music education has been influenced by many people throughout history, but arguably none of them have done so as much as the monk, Guido D’Arezzo. His teaching methods have been embraced and developed by music educators throughout the centuries.
Medieval music theory and notation evolved from the 9th to 14th centuries, influenced by ancient traditions and monastic practices. The Catholic Church's standardization of liturgical practices and the rise of polyphony drove advancements in notation.
Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.
5 mar 2020 · The Oxford Handbook of Music and Medievalism provides a snapshot of the growing field of medievalism in music by bringing together international scholars to explore a wide variety of past and present genres in which medievalism is present.
25 sie 1985 · The Cambridge Companion to Medieval Music From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques – the key areas of traditional music
