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  1. 4 lip 2024 · Contributions from literary scholars, musicologists, and cultural historians analyse novels written in a range of languages, including English, French, Italian, Russian, and Spanish. The volume explores the way that songs can be present in novels, from the inclusion of musical scores to broader practices of citation and allusion.

  2. music through literature, applied to a range of musical genres (symphonic poem, opera, song cycle, solo song and orchestral suite) are suggestive of the wide scope and rich potential of such interdisciplinary work.

  3. 13 lut 2017 · In 1982 Steven Paul Scher identified three general categories to help us understand the rich connections between music and literature. 1 The category of “music in literature”—which includes the literary “imitation…of the acoustic quality of music,” adaptations of “larger musical structures and patterns and the application of certain musical tech...

  4. Reading Song Lyrics offers the first systematic introduction to lyrics as a vibrant genre of (performed) literature. It takes lyrics seriously as a complex form of verbal art that has been unjustly neglected in literary, music, and, to a lesser degree, cultural studies, partly as it cuts squarely across institutional boundaries.

  5. LITERATURE REVIEW A. The Theoretical Framework 1. English Song 1) Definition of Song According to Griffe (1992, p.3) songs are vocally produced, linguistically meaningful and have melody. So, it can be concluded that song is a piece of music that has words which are linguistically meaningful and sung by a singer.

  6. theory of the thematisation (at the story level) and imitation (by means of linguistic devices and literary techniques) of music in fiction is illustrated through a historical excursus from the 18th-century to contemporary prose narrative.11 Wolf’s concept of the “musicalization of literature” refers to

  7. 11 cze 2022 · What type of meaning is provided by music in literature? This is pursued by examining the three modernist authors James Joyce, Samuel Beckett, and Hugo von Hofmannsthal, who were all inspired by music, but in different manners.

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