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24 maj 2017 · Comprehensive overview of the sociology of music, considering how it is particularly sociological. Reaffirms music as involving activity and interaction rather than existing as an object. Reviews the literature on musical meaning and music as a technology of the self and establishes the unique importance of music for both social differentiation ...
1 sie 2010 · Like Griswold (1987), we treat “meaning” as shared significance that occurs when music points to something beyond itself, representing some aspect of social life. We first discuss how
24 paź 2023 · This article examines the relationship between music and sociological thinking. Antoine Hennion has shown that learning to play music involves an immersion within a culture that has rules, languages and rituals and as a result ‘music is a form of sociology’ (Hennion Citation 2020, 292).
3 mar 2023 · Thus, music itself may be considered a shared social feature insofar as it is shared by cultures. Furthermore, the human ability to experience the emotional affordances of music could be considered a shared psychological feature.
16 lip 2020 · These various theories from different disciplines emphasise diverse ways in which music may have co-evolved with human social behaviour. Music may have enabled an effective emotional form of communication and coordination, and thus assumed a central role in social interaction.
It addresses the Who, What, When, Where, Why, How of music research through four perspectives from the sociological study of music: a historical survey of the social study of music (when), theoretical points of view (what), and methodological (how), and pragmatic aspects (who, why & how).
14 sie 2018 · The society in which we live thus has great import when we consider how to teach music. In unpacking this notion further, research in the field of ethnomusicology provides detailed analyses that explore the interaction and unique relationship that exists between music, culture, and society.
