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  1. Line of Dance – Counter clockwise around the dance floor. Regular ballroom dancing also has a line of dance that is counter clockwise around the floor. Reverse Line of Dance – Clockwise around the dance floor. Wall – The man is facing the outside of the circle or the wall.

  2. In this article, I will guide you through the history of waltz dance, the basics, including positions and foot patterns, and provide a detailed step-by-step guide on how to waltz dance.

  3. 8 sie 2024 · The waltz is a simple and elegant ballroom dance that dates back to 13th century Europe. It follows a slower tempo and uses the box step, or a series of 6 movements that form the shape of a box. In this article, we’ll walk you through all the steps of this iconic ballroom dance, whether you’re the leader or follower.

  4. 9 cze 2010 · For the International Waltz Newcomer and Bronze Syllabus figures listed below, in addition to timing, step by step descriptions, alignment, footwork, technique notes, we've also added step-by-step diagrams, including all the official variations, preceding and following figures and instructional videos that demonstrated the patterns.

  5. One Wall Version: For a one wall version of Rita’s Waltz: Counts 19 -24 should be an exact repeat of counts 13-18, thus omitting the turn. Square up to the 12:00 wall to start again with the Waltz Balance. Choreography: Jo Thompson Description: 24 count, 4 wall, line/partner dance Music: Scooter Lee – A Christmas Card

  6. The waltz is a smooth and graceful dance with long, flowing movements, characterized by a rise & fall motion. You start by learning the simple box step and stringing them together as you gracefully move around the dance floor in a counter-clockwise pattern.

  7. This page gives detailed information on how to dance the Basic Weave in the Modern Waltz. It includes the requisite timing, steps, footwork, alignment, movement, turn, sway, rise & fall and hold — for both the Man/Leader and the Lady/Follower, as per “ The Ballroom Technique ” publication.

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