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5 lis 2014 · The central issue of the chapter is the need for historians to find ways to address opera’s “complete history,” including the interrelationships of composition, performance, and revisions when writing a historical narrative for opera.
5 lis 2014 · The handbook organizes fifty contributions into eight large divisions: Foundations, The Libretto, Production, Performance, Opera and Society, Criticizing Opera, Transmission and Reception, and a postlude about contemporary opera and the future of opera.
Its origins can be traced back to the late 16th century in Italy, where it quickly gained popularity and spread to other European countries. Since then, opera has evolved and undergone many changes, adapting to the cultural and musical trends of the times.
From the very first opera performance in Italy in 1607, to the origins of some of the world’s most recognisable music, and modern day experimental productions, we’ll share a timeline of how opera has changed over the last 400 years.
30 sie 2019 · The representation of neuropsychiatric pathologies in opera is a consequence of the cultural and social changes regarding mental illnesses, and in particular insanity, throughout various historical periods [38, 40]. The representation of madness reflects its cultural context and varies according to the scientific knowledge of the time in question.
7 lut 2002 · The chronologically organized primary sources include 115 passages--private letters, portions of libretti, literary criticism, satire, and poetry--from opera’s late Renaissance infancy through modern times.
Opera originated in Italy around 1600, but its story began many years earlier with the birth of Jacopo Peri in 1561. During his time at the famed Medici court, Peri cultivated the idea of dramatic singing through his work with Florentine poets, musicians, and writers.
