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If you play a chord progression C F G so you establish a tonality in C and then play G-C then it will sound as consonant as it can get. If you play C-F in the key of C it will sound dissonant.
The key is C major and the scale degree is pitch class F. Notice that the F, the third chord tone in the D minor chord ties over in a similar way as a suspension in fourth species counterpoint, into the dissonant F, the fifth chord tone of the B diminished triad.
17 gru 2021 · For example a B flat chord in C major can be called "borrowed" and it often functions like a substitute for a G chord (the dominant). But, if in C major you used chromatic chords like E flat major or A flat major, and the roots moved by thirds from the C, you might refer to those changes as chromatic mediants.
Now, we’ll try adding a semitone interval (the most dissonant interval) into a minor chord. But we can’t just start adding random notes to our chords – they should come from a scale related to the chord. 💡 You can add in random notes if you are a real explorer, and you might find some gems.
There are no chords, there is no chord progression: there is simply one repetitive C bass note. One of the reasons why Prog rock and metal bands love using the pedal point so often as one of their compositional tools, is that you can literally do ANYTHING on top of a pedal.
Strategies for Avoiding Dissonance: Chord Substitutions, Changing the Rhythm, and Changing the Chord Progression. Sometimes the combination of a note of the melody and a note within a harmonic chord will cause dissonance, also known as “that assy sound." The dissonance is caused by two or more tones that “clash.”.
Consonance and dissonance refer to intervals and chords. The interval between two notes is the number of half steps between them, and all intervals have a name that musicians commonly use, like major third (which is 4 half steps), perfect fifth (7 half steps), or octave.
