Search results
16 gru 2013 · Our review highlights how the three perspectives shed light on categorical dynamics in creative industries, while building on different levels of analysis, involving different number and types of actors and yielding different insights depending on the stages of industry evolution.
The arts are a vehicle through which human beings cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgements, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space.
11 lut 2021 · In the second, ‘representative or poetic regime of the arts’, art is granted autonomy by being organized according to specific rules that take the shape of genres with appropriate content and forms – a representational system characteristic of the Beaux Arts of French classicism.
4 lip 2019 · Resource-dependency theory, systems theory, and agency theory are used to make sense of the reality of arts organizations. These texts, we hope, are only the beginning of new and fruitful engagements with organizational theory in arts management.
1 sty 2006 · 1. Introduction: Organization and contracts in creative industries. The field of industrial organization is divided into two branches. The more traditional branch is concerned with how the structures of markets and the behavior conditioned by those structures affect their allocative efficiency.
10 lis 2018 · Efficiency, effectiveness of the idiosyncratic mix of resources and handicrafts or art are the three components which in different degrees, based on the industry and the corresponding company characteristics, explain the viability and the competitive advantage in the cultural and creative industries.
This framework helps to integrate findings of consumption surveys and to explain the emergence of new artistic genres as a form of ritual classification. Societies' artistic classification systems vary along four dimensions: differentiation, hierarchy, universality, and boundary strength.
