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16 gru 2013 · Our review highlights how the three perspectives shed light on categorical dynamics in creative industries, while building on different levels of analysis, involving different number and types of actors and yielding different insights depending on the stages of industry evolution.
The arts are a vehicle through which human beings cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgements, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space.
In essence, a Creative Industry is defined as being one which employs a significant proportion of creative people, i.e. those employed in a creative occupation. To simplify the classification...
5 sty 2017 · This chapter explores various categorizations and definitions of creative industries and develops a definition for the purposes of this book: to discuss tax incentives governments have implemented for the creative industries and explore their rationale and effects. This definition characterizes creative industries by three features.
The DCMS classifies enterprises and occupations as creative according to what the enterprise primarily produces, and what the worker primarily does. Thus, a company which produces records would be classified as belonging to the music industrial sector, and a worker who plays piano would be classified as a musician.
This framework helps to integrate findings of consumption surveys and to explain the emergence of new artistic genres as a form of ritual classification. Societies' artistic classification systems vary along four dimensions: differentiation, hierarchy, universality, and boundary strength.
The FCS defines ten distinct categories: (0) cultural heritage; (1) printed matter and literature; (2 & 3) music and the performing arts; (4) visual arts; (5&6) audiovisual media (5 cinema and photography; 6 radio and television); (7) socio cultural activities; (8) sports and games; (9) environment and nature.
