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13 lut 2017 · Asserting the potential of literary criticism as an analytical tool, understanding the musical refiguring of vocality, exploring the implications of authorial identity in a composer’s setting of his own literary texts, interrogating a transatlantic discourse of cosmopolitanism through music–literature parallels—these distinctive ...
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5Scher, “Literature and Music, ”226–29. For recent studies...
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25 maj 2023 · This chapter explores the roles of music in literature and how the representation of musical sounds, forms, and genres transforms literature. The chapter surveys how music transformation is used in different literary contexts.
music through literature, applied to a range of musical genres (symphonic poem, opera, song cycle, solo song and orchestral suite) are suggestive of the wide scope and rich potential of such interdisciplinary work.
Introduction. The problem of “music in literature”, known for a long time to literary theorists as a matter of aesthetics, has for a few decades attracted the attention of comparatists particularly interested in interdisciplinary research1.
17 cze 2009 · If the musicologists themselves are not agreed as to the nature of music, in which way can literary scholars possibly speak relevantly of the musicality of a novel? In this essay, I look more closely at the concept of ‘musicality’ in the writings of Virginia Woolf.
Summary. This book captures links between music and literature in the light of recent proposals from theorists of intertextuality and comparative literature, and at the same time diagnoses the current state of comparative literature as a field of literary research.
literature and music are and why and how they matter to us essentialist questions – from which many of us shrink, but which are the explanation for the presence of our students before us in class.
