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A detailed analysis of the relationships between the music and movement in Pina Bausch’s 1977 work Bluebeard: on listening to a tape recording of Béla Bartók’s opera “Duke Bluebeard’s Castle” reveals many layers of both structure and meaning to the work.
BartoÂk's only opera, Duke Bluebeard's Castle (A KeÂkszakaÂllu herceg vaÂra), has cast its spell on audiences for more than eighty years since its premiere.
Subject. Musicology and Music History Opera Music Theory and Analysis. Collection: Oxford Scholarship Online. This content is only available as a PDF. Abstract. Bart6k’s music, with few exceptions, hews closely to the dramatic structure present in the original Bluebeard play. While “giving a sharp plasticity t.
4 lis 1999 · Inside Bluebeard’s Castle is an ideal starting point for research in twentieth-century music, Hungarian cultural history, and opera studies, as well as an invaluable guide for anyone interested in Bartók’s only opera.
1 paź 1990 · In the preceding paper, Elliott Antokoletz provides a structural analysis of the Fifth Door Scene in Bartók's opera Duke Bluebeard's Castle. Antokoletz describes the scene's organization as an "overall extended binary form" based on the text's quatrain-like folksong structure.
Abstract: The intention in this lecture is to explore the means by which Bartok's Duke Bluebeard's Castle (1911) transforms the harmonic structures of the traditional major/minor scale system into a new musical language, and how this language reflects the psycho-dramatic symbolism of Bela Balazs, Hungarian disciple of the Belgian
Leafstedt begins with a short introductory chapter that places Duke Bluebeard’s Castle within the context of Bartók’s early composing career, his discovery of folk music, and its impact on...
