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  1. 2021. Drama always consisted of an invaluable "database" for the culture and education of the ancient Greek spectators, who used to watch it as a performance that derived from the already existing literary types and forms (epic and lyric poetry) on which it was based and which included up to a certain degree; namely, in Aeschylus, Sophocles, ...

  2. SPEAKERS, SILENCE AND THE THREE-ACTOR RULE IN GREEK DRAMA, 'Ελληνικά', 61, τ.2, 2011. MAGGEL AVGI ANNA. In the study of Greek drama the shift of attention from speech to silence seems to follow a theoretical approach borrowed from the semiotics of modern theatre. 1 It is challenging to treat silence as a distinct subject particularly ...

  3. Classical Greek Literature (Lanham, Md., 2003). Her current work focuses on the language of physical pain and its limitations in Greek epic and tragedy. Justina Gregory is Professor of Classical Languages and Literatures at Smith Col-lege. Her books include a translation of Aesop’s Fables (1975, with Patrick Greg-

  4. Download Free PDF "Denotation in absentia in Literary language: The case of Aristophanic Comedy". In: "Signless Signification in Ancient India and Beyond" a c. di M.P. Candotti, T. Pontillo.

  5. The significance and function of the ancient Greek epic oral tradition has been recognized since the work of Milman Parry and Albert Lord.2 Their research and the research of their followers has revealed that the Greek epic oral tradition formed a huge, interconnected, and variegated web of legendary and mythical narratives that comprised the c...

  6. 2 gru 2004 · This book provides an accessible introduction for students and anyone interested in increasing their enjoyment of Greek tragic plays. Whether readers are studying Greek culture, performing a Greek … Expand

  7. Several chapters are devoted to the theory and history of writing, its definition and general nature as well as such individual developments as semasiography and logosyllabography, Chinese writing, and the West Semitic family of syllabaries.

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