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  1. A work of literature can be thought of as involving four different and potentially quite separate time frames: author time (when the work was originally written or published); narrator time (when the narrator in a work of fiction supposedly narrates the story); plot time (when the action depicted actually takes place); and reader or audience ...

  2. Why do we feel that brief experiences are distinctively literary? In “Formalism and Time,” Gallagher diagnoses critics’ reliance on small units of time as an evasion of mortality, but she doesn’t tell us where the idea came from.

  3. 6 mar 2018 · Classic Aristotelian narratives with a linear time structure (stories with a beginning, middle and end) are prominent in the storytelling literature, whereas retrospection, in drawing on the past in making sense of the present, is a temporal modality central to foundational concepts of sensemaking.

  4. 14 wrz 2018 · All this said, time CAN be used as a literary device. Progressing linearly isn’t always ideal, especially for certain genres. One surefire way to throw readers off is to mess with their sense of time. Non-linear structure is fantastic for mysteries, psychological thrillers, horror, and suspense.

  5. Time is an inherent, constitutive aspect of narrative, whether the narrative concerns fiction or fact. To speak of narrative is to invoke time and multiple temporalities. Aristotle’s emphasis on action as a primary component of narrative implicitly acknowledges time as fundamental, since any action requires time.

  6. Text time (story time, the time of narration) is multidimensional and discrete, retrospective and prospective, unsteady and unstable. Shifts in time also cause shifts in space which is reflected in M. Bakhtin's theory about chronotope, as a unity of time and space.

  7. 20 paź 2006 · This book brings together ideas about time from narrative theory and philosophy. It argues that literary criticism and narratology have approached narrative primarily as a form of retrospect, and demonstrates through a series of arguments and readings that anticipation and other forms of projection into the future offer new analytical ...

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