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Vertov's radical film theories at their most vivid, Kino-Eye embraces ultra-high speed photography, microcinematography, and multiple exposures to advance cinema as an art. With Kino-Pravda No. 23 (Radio Pravda). (141 mins)
Kino-Eye (Anglophonic: Cine-Eye) is a film technique developed in Soviet Union by Dziga Vertov. It was also the name of the movement and group that was defined by this technique.
20 maj 2016 · KINO-EYE (1924) – A cinematographic poem in which Vertov lays the foundation of his Kino-Eye principles, the film shows the incredible force of his theories, but also the beauty and energy of a society fresh from revolution, ready to face the challenges of a difficult future.
Kino-Eye (1924) This segment from a KINO-EYE of 1924 embodies both sides of Vertov's aesthetic, both the stern and politically-attuned educator, who shows his spectators exemplary Soviet...
Directed by Dziga Vertov. Russian intertitles with English electronic subtitles. Kino-Eye is Vertov's first feature-length documentary made not of found footage but of purpose-filmed shots.
Amsterdam Kino-Eye is a 3 part project that explores Vertov's concept of "kino-eye" developed in his cinematic masterpiece: Kino Pravda, or Man With a Movie Camera, from 1929. It is considered by many critics as the best film of all time.
Kino Eye: Directed by Dziga Vertov. This documentary promoting the joys of life in a Soviet village centers around the activities of the Young Pioneers.
