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Kino-Eye (Anglophonic: Cine-Eye) is a film technique developed in Soviet Union by Dziga Vertov. It was also the name of the movement and group that was defined by this technique.
31 gru 2014 · It is the soundtrack to a re-released version of the (then ground-breaking) 1929 silent documentary film, Man with a Movie Camera from Russian director Dziga Vertov. The Cinematic Orchestra were commissioned to record the score to play as the opening event in Porto, Portugal's year as European Capital of Culture in 2001.
Kino Eye (1924) by Dziga Vertov "Cine-Eye" is a montage method developed by Dziga Vertov and first formulated in his work "WE: Variant of a Manifesto" in 1919. Dziga Vertov believed his concept of Kino-Glaz, or "Cine Eye" in English
Kino-Eye (1924) This segment from a KINO-EYE of 1924 embodies both sides of Vertov's aesthetic, both the stern and politically-attuned educator, who shows his spectators exemplary Soviet...
Amsterdam Kino-Eye is a 3 part project that explores Vertov's concept of "kino-eye" developed in his cinematic masterpiece: Kino Pravda, or Man With a Movie Camera, from 1929. It is considered by many critics as the best film of all time.
Directed by Dziga Vertov. Russian intertitles with English electronic subtitles. Kino-Eye is Vertov's first feature-length documentary made not of found footage but of purpose-filmed shots.
Dziga Vertov (born Jan. 2, 1896 [Dec. 21, 1895, Old Style], Belostok, Russia—died Feb. 12, 1954, Moscow, Russia, U.S.S.R.) was a Soviet motion-picture director whose kino-glaz (“film-eye”) theory—that the camera is an instrument, much like the human eye, that is best used to explore the actual happenings of real life—had an ...
